Anyway, I love the furniture with its clean lines and metal trim and the pictures, in their flat frames - something I'm very into after years of OTT frames and mounts. It's slick but also unassuming and pared-down, which I like. But what makes it really remarkable as a workaday businessman's office is the unusual autumnal colour palette: brown walls, pale yellow furniture, the orange shades within the artworks. It's as stylish as a 'proper' office (and Seinfeld episode) can get.
' I show up. I pretend I have the job, the guy's on vacation. If I have the job, it's fine. If I don't have the job, by the time he comes back, I'm ensconced. What's the worst thing that could happen?' George Costanza |